Thursday, March 25, 2004

Wagner, Richard

Wagner's single-handed creation of his own type of musical drama was a fantastic accomplishment, considering the scale and scope of his art. His method was to condense the confused mass of material at his disposal—the innumerable conflicting versions of the legend chosen as a basis—into a taut dramatic scheme. In this scheme, as in his model, the Oresteia of Aeschylus,

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